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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 23, 2009 | Christie's | Paris | Collection Yves Saint Laurent et Pierre Berge | 27 | $****** - ****** | Compenetrazione iridescente - Eucalyptus |
paintings
100.2 x 120.5 cm (39.45 x 47.44 in)
oil on canvas
signed and dated 'Balla 1914' (l.l.); signed, titled and numbered 'COMPENETRAZIONE IRIDESCENTE NO 5 BALLA' (verso)
Rose Fried, New York (acquis auprès de l'artiste, vers 1950).
Marlborough Gallery, New York.Collection Power, Londres.Galerie Tarica, Paris (acquis auprès de celle-ci).Acquis auprès de celle-ci par Yves Saint Laurent et Pierre Bergé, juillet 1988.
New York, Rose Fried Gallery, The Futurists: Balla, Sévérini 1912-1918, janvier-février 1954, no. 13.Milan, Palazzo Reale, Arte programmata e cinetica 1953-1963: L'ultima avanguardia, novembre 1983-février 1984, p. 35 (illustré).Venise, Palazzo Grassi, Futurismo & Futurismi, mai-novembre 1986, p. 91 (illustré en couleur).Los Angeles, County Museum of Arts; Chicago, Museum of Contemporary Art et La Haye, Gemeentemuseum, The Spiritual in Art: Abstract Painting 1890-1985, novembre 1986-novembre 1987, p. 422 (illustré en couleur, p. 41, no. 22).Londres, Royal Academy, Italian Art in the 20th Century: Painting and Sculpture, 1900-1988, janvier-avril 1989, p. 87, no. 8 (illustré en couleur).Paris, Musée National d'Art Moderne, Centre Georges Pompidou, décembre 1999-septembre 2003 (prêt de longue durée).Paris, Musée d'Orsay, Aux origines de l'abstraction, 1800-1914, novembre 2003-février 2004, p. 352, no. 45 (illustré en couleur).Montréal, Musée des Beaux-Arts, Il Modo Italiano: Design et avant-garde en Italie au XXe siècle, mai-août 2006, p. 358, no. 16 (illustré en couleur, p. 151).
E. Colla, in Arti visive, septembre-octobre 1952 (illustré).V. Dortch Dorazio, Giacommo Balla: An Album of His Life and Work, New York, no. 68 (illustré).M. Drudi Gambillo et T. Fiori, "Archivi dell'arte contemporanea", in Archivi del Futurismo, Rome, 1962, vol. II, p. 154, no. 50a (illustré, p. 78).M. Fagiolo dell'Arco, Balla pre-futurista, Gênes, 1968, p. 43, no. 5 (illustré, p. 23, fig. 28).M. Fagiolo dell'Arco, Futur-Balla, Rome, 1970, pp. 23 et 43, no. 5, (illustré, p. 23, fig. 28).E. Crispolti, Balla, Rome, 1975, p. 17, no. 10 (illustré).G. Lista, Giacomo Balla Futuriste, Lausanne, 1984, p. 171, no. 1087 (illustré, p. 170).G.-G. Lemaire, Le Futurisme, Paris, 1995, p. 58 (illustré encouleur)."Aux origines de l'abstraction 1800-1914", in Le Petit Journal des Grandes Expositions, Paris, 2003, p. 7, fig. 16 (illustré en couleur).S. Carollo, I Futuristi: La storia-gli artisti-le opere, Milan, 2004, p. 132, no. 1 (illustré en couleur).J. Coignard, "Les chefs-d'oeuvre de la collection Yves Saint Laurent Pierre Bergé", in Connaissance des Arts, h.s., no. 271, janvier 2006 (illustré en couleur).
